Forget the dead man in the middle of the room; I get more creeped out when I think of these poor brainwashed, superpowered children carefully arranging all of these dolls and scratching the lyrics to their mind-controlling lullaby all over the place. I can’t even get my kids to pick up their own room half the time, and yet these kids took all this time to set up the creepiest tableau possible in the midst of a prison break? I find it a little far fetched.
Also, I am of the opinion that this above room is far more terrifying. Don’t know why, exactly, but it does freak me out. Perhaps it’s the security camera in the corner up there…
Anyway, this past week I finally wrapped up Transylvania. It wasn’t too tough, just took me a while to get through the last dozen quests that used to make up the “endgame” of pre-Tokyo The Secret World back in the day. And yes, we’re using the phrase “back in the day” now with TSW.
As with before, I enjoyed the conclusion, and I do agree that the rearrangement of the Hatchet Falls/Nursery questline was best put after the whole vampire showdown. It’s a good segue into Venice and Tokyo beyond, and every time I hear that firefighter ask Emma her name and she says “Anima,” I get chills.
I’m taking a half-hearted stab at doing The Meowling mission for the Halloween event, but it really is half-hearted because (a) it was always the least-most interesting Halloween mission TSW ever made, and (b) for whatever reason, the developers didn’t include all of the more recent Halloween missions this year. And that bites. I was really looking forward to Spooky Stories, the Broadcast, etc. But no, we just get the Cat God and one semi-reworked Jack fight. That feels kind of lame to me. Thus, I’m trying to blow through this quickly to move on to Tokyo and try to stay on pace for catching up before the end of the year.