Last week when I was griping about a few of Star Trek Online’s worst features, my sour opinion on the game’s music seemed to hit a chord with at least a few readers. I know my Battle Bards co-host Steff disagrees with me — she seems to like this OST, although I suspect it’s mostly for a couple signature tracks — but honestly I’m surprised how irritating and non-Star Trek most of these pieces are.
While I hate to turn off the soundtrack in an MMO, preferring to let the game present itself to me in its fully intended glory, I haven’t been able to listen to STO’s music for years now. Any time I come back, the music is always deactivated, and I provide my own score for the stars.
What I’ve been doing as of late is substituting the music from the Star Trek series and movies, and I have to say that it works remarkably well. In particular, Ron Jones’ TNG soundtracks transform this game with their very unique and memorable qualities. Berman reportedly disliked how much attention Jones’ music was getting, and Jones was let go after TNG season 4. That’s a shame, because most of the rest of the music from that show was pretty generic and forgettable. His stuff? Still well worth listening to today, even if it is totally synth 80s, through and through.
I took this approach with Star Wars: The Old Republic, too. SWTOR’s soundtrack isn’t bad (and I quite like the newer stuff, to tell the truth), but when it got a little dour, repetitive, or lengthy, I would switch over to a playlist that used the movie music as a perfect substitute.
Star Trek simply deserves great music. The franchise has seen some masterpieces (Star Trek’s I, II, III, VI, Ron Jones’ work, the theme songs), but it’s not as consistently great as it should be. Likewise, the game needs killer audio to go with its gorgeous visuals. I’ve put three screenshots from recent adventures in this post, and you can tell that this game is not lacking in those cinematic vistas. Bad music or no music at all detracts from it, while stirring symphonies transform these adventures into unforgettable experiences.
It’s probably just a pipe dream to hope that Cryptic will bring on board a composer(s) who would do this game justice at this point. Kevin Manthei has his strengths, but he is not suited for MMORPG composition at all. Maybe one day, STO will sound as good as it looks. Until then, my substitutions will have to suffice.