Star Trek Online: These are the voyages of the Kuchi Kopi

It is time. After taking a full year off playing Star Trek Online in 2019, I felt that it was a perfect time — especially with the 10th anniversary in full swing — to return. And you know me, that means starting alllll over again instead of picking up where I left off. It’s just more satisfying that way, you know?

Plus, this time I can test out the newish ability to play a Tier 6 ship all the way from the start through endgame without swapping out ships numerous times. I have a trio of T6s unlocked on my account, so after some deliberation, I went with the updated Pathfinder (science) ship. It wasn’t a carrier, which is my usual preference, but I always have loved the look and function of science ships, and this one even comes with an aeroshuttle combat pet. So it’s like a mini-carrier in that regard.

The first night I came back to STO, I don’t think I did a single mission. Instead, I spent a couple of hours working on making a character and designing her outfit. This above look was a work-in-progress — the picture at the top of this post is my final result.

So meet Myfanwy, captain of the Kuchi Kopi (a nod to Bob’s Burgers). I had fun customizing the ship as well, choosing more “chunky” elements and those really neat nacelles that have stabilizer-like fins that move when it goes in and out of warp.

It’s pretty astounding to think that we’re already a full decade into this game. When Star Trek Online launched in 2010, it was a far more ramshackle deal with half-baked systems and lopsided factions. Now we have an MMO that’s fleshed out with expansions, races, eras, hundreds of shops, and a half-dozen factions.

I do think that a giant hologram proclaiming the name of the game and its age is a bit immersion-breaking to put right in the middle of Stardock, but I’ll allow this indulgence.

Finally, my voyages were underway. I’m tempted to jump into the 10th anniversary stuff, but it’s not going anywhere and I want to get into the groove with this crew first. Right now, I’m logging in to do about two missions a night and then moving on to a different game. No sense chugging when there’s no urgency for it.

I will say that I have missed the gameplay — the stories, the ship battles, and yes, even the ground combat. I think the ground combat gets a lot of jibing when it’s honestly not that bad. There aren’t many MMOs that let you lead around your own personal army all the time, so as a pet guy, I always feel like I’m fielding a crew of them.

And let’s not forget all of the cameos. Hearing Spock’s voice from time to time gave me a bit of a heart-twinge at Nimoy’s passing, but it’s good to know that he and others have a legacy in this game as well.

A friend said the other day that Star Trek Online’s writing team does an amazing job bringing all of the different shows and plot threads together — and that it often does this far better than the shows do (especially the newer ones). I kind of agree with this. The Discovery/Picard era shows feel so far removed from Star Trek even though they can be enjoyable on their own terms. But I’m having a hard time mentally meshing them with what came before. Maybe the MMO can be the bridge there.

Cryptic calls it quits on the Foundry, and that is a shame

Man I am getting sick of promising features (and games that contain them) being shuttered. If MMORPG developers are ever going to crack the problem of ravenous gamers consuming content at a blazing pace, then chances are player creativity is going to be the tool to solve it.

We’ve seen this in plenty of places, from the successful (Minecraft, Roblox, Trove) to the sunsetted (Landmark, City of Heroes). Players like to create and many would leap at a chance to expand their favorite game worlds via their handmade quests, so why not facilitate that?

To its credit, Cryptic’s long been in the player created content business. City of Heroes did spawn Mission Architect to let supers make their own maps, and while that was a problematic system, it was popular enough to make it into both Neverwinter and Star Trek Online as The Foundry. I’d only briefly engaged in both ends of this system (creation and consumption), but I liked that it was there and felt that so much more could be done to sift the really good created quests from the cruddy ones that littered up the place.

But after the first year or so of these games’ operation, you could tell that Cryptic didn’t really have the heart to keep The Foundry in the forefront. It did make some half-hearted attempts to promote it, but after a while it was demoted to one of those systems that you know will never get an update or a revision. It was a withering appendage.

And now that appendage is gone, as the studio is ending both games’ Foundries. The official excuse is that the people who helped to create and maintain this system are no longer with the company and it’s a pain to update. There’s a ring of truth to that, but it also sounds like a convenient excuse to do what Cryptic always does — which is to get frustrated with a system that isn’t working out as well or is as popular as it hoped and then just can it with vague promises of maybe doing a better version in the future. STO players are still waiting on that exploration system, by the way.

I’m not crying buckets over this, but I have to say that it is a real shame that both of these games are losing this. For starters, plenty of players — such as the MMO blogosphere’s Tipa! — put in countless hours crafting their own narrative experiences to share with others. This sunset wipes all of that work out while the games endure.

Also, this isn’t an idea that should be given up on. I think Daybreak had it right when it saw that player-created content was a rich resource to be harvested, and even though the Landmark/EverQuest Next experiment didn’t pan out, that doesn’t mean the studio was wrong about this. The Foundry needed help, maybe even a total rewrite. But you look at Star Trek Online, which might get one new mission every two or three months, and you can see that there’s a real need for more content to fill the gaps.

How these player-created content systems can be wielded, promoted, and utilized in MMOs is a speculation essay for another day, but suffice to say that some serious thinking and planning would need to be done to avoid gross exploits while promoting quality.

In the meanwhile, these games have one less item to put on their feature list. And while Cryptic may deny it, it’s a pretty significant loss for the potential of both titles.

Star Trek Online: Armistice

For an expansion that only has six (now seven) missions as its main story content, you’d think that Star Trek Online would have to make every episode in Victory is Life absolutely count. With so few, they’d have to all be slam-dunk winners, right?

Well, I’m two episodes in, and so far I am incredibly underwhelmed. In fact, Armistice is one of the lamest missions that I’ve played in the game to date. Part of the problem is that this expansion is so deeply Deep Space Nine-focused that it comes off as a lot of fanservice that, as a person who hasn’t seen most of the series, will not get nor appreciate. Usually Star Trek Online is pretty good in bringing us non-viewers up to speed, but this quest was some sort of weird coda to one of the show’s episodes. And it was pretty dull.

Armistice had me heading into the Gamma Quadrant (which I couldn’t explore, as the mission auto-warped me right to the planet in question) where I was supposed to rescue the old Bajoran priest who was intentionally marooned here but now I guess they want to un-maroon her. Oh, and they had given her and her companions immortality via nanites. You’d think that all of the universe would be using these nanites by now, but I guess not? As I said, it’s very confusing if you’re dropped into the middle of it.

Anyway, getting her out is compounded by the pesky Hur’q, the new villains of this expansion. Like what I’ve seen so far, they’re kind of generic bug-aliens. Underwhelming. Lots of swarming and hyperactive jumpers.

Kira and Bashir come on this mission for some reason, and Kira — looking like a cartoon action figure — activates her bizarre pink lightning sonic power. Honestly, I have no idea what’s going on in this picture here.

Part of the dullness of this mission is that it’s very lopsided in favor of ground exploration and combat on a planet that’s just not interesting in the least. Oh well. I entertained myself by firing a miniature Death Star laser all around the place.

The worst part of the mission was the boss fight against this overseer insect up there. He hit so hard with multiple cone attacks, and any time we respawned, we were right at his feet and had no time to regroup and prepare. Basically, it was one of those instances of “throw your bodies at the boss often enough and hope that you get lucky sooner or later.” Took me about a dozen tries.

Back in space, there’s a hectic fight against a huge Hur’q fleet. Lots and lots of ships vs. me, my fighters, and the reprogrammed drone satellites. Everything was so small that I couldn’t really see it. As a carrier, I kind of have to take it on faith that my ships are actually fighting and not just doing donuts and figure eights.

I guess I save the day. Kira stops being a priest and goes back to being a captain, which is good for her because she looked like a gerbil in that getup. Then the wormhole opens and Sisko talks to the two Bajorans in a brief and unilluminating cameo. I get that they didn’t bring Avery Brooks back and so could only use voice clips for the show, but what was all that about?

I don’t get how this mission moved any sort of plot along, and even if it did, it wasn’t worth going through for the story or rewards. Two down, five to go!

Star Trek Online: Storm clouds gather

Let’s face it: Deep Space Nine has seen much, much better days. But in a way, its better day also arrived with the new expansion, Victory is Life. Apparently the developers spent insane amounts of time and effort revamping the interiors to be as show-accurate as possible, which I’ll have to take their word about since I’m still only in Season 2. Hey, it’s HARD watching hour-long shows when you have four kids and always put gaming above TV time.

I do find it funny that the show has this obsession with baseball, as if that would be the sport that would survive to the 24th or 25th century. I mean, I like baseball, but it’s just such a random pick. You’d think that soccer or quidditch would have beat it out in popularity.

I spent some time touring the revamped DS9, which looked just as fine as the old one did (again, to my eyes). Good to know that even in the future, the Papyrus font endures. And is that Comic Sans?

No story here other than this little corridor offered me the chance to take one of my all-time favorite screenshots. LOVE. IT.

Anyway, let’s talk about this mission itself. Cryptic’s been billing this expansion as the closest thing to a Deep Space Nine sequel/movie/reunion that it’s ever going to get, and with 12 voice actors returning, I suppose that’s the truth. It’s been 25 years since the show first went on the air and 30 in-game years, so it’s been a while. Everyone’s older and settled into their new lives, but an old threat brings them back.

That’s how you do a reunion episode, by the way. You’ve got to reunite the band and come up with a reason why all of these people who had previously gone their separate ways would come back for one last ride. In this case, it’s the threat of the Hur’q, yet another faction of weird-looking bad guys that has the Dominion wetting its pants and other races concerned about unchecked aggression.

Really, I just want an expansion about the accordion-playing Klingon. Victory is Music.

I know Cryptic’s artists do the best they can with the models of the actors (aged forward three decades, of course), but some just look better than others. Bashir did not come off as well, with his huuuuuge forehead and weird beard. Odo looks more plasticy than normal, Kira’s got that goofy Bajoran headgear on, and the Ferengi… well, they look just as ugly as on the show. I suppose the artists were rushing through some projects to spend that extra bit of time on Chase Masterson’s model.

“Guys, she looks good enough as it is. Time to move on.”

“One more pass, Scott. I haven’t quite captured the transcendent beauty of her arches.”

“Go home. Your family misses you, man.”

“CHASE IS MY FAMILY NOW!”

Reunion aspect aside, the episode itself was mostly a prologue with your standard ground action and massive space battle. Actually, the space battle WAS really crazy. I kind of just park myself somewhere and fire at will while sending fighters out to swarm the bad guys, and that seems to work.

Star Trek Online: Survivor

As promised, I extracted the U.S.S. Firefly from Star Trek Online’s drydock this past weekend and took her out for her first mission in many months. I figured that with the new expansion launching this week, it just made the most sense to switch back to my highest-level character and ship that was mostly ready for it all.

To get back into this character/ship’s groove, I perused my mission list and noticed that I had missed this episode, which I guess was added a year or so ago. It turned out to be one of the better stories that I’ve experienced in this game, combining Yesterday’s Enterprise, the Tholians, and time travel. All of the dependable Star Trek ingredients for a good romp.

I guess this mission could be considered the sequel to the rather excellent Temporal Ambassador. That one, too, was all about Yesterday’s Enterprise, Tholians, and time travel, having the player crew assist Tasha Yar and Daniels in escaping an alternate universe and taking the Enterprise-C back in time to fight and be captured.

Well, Survivor picks up on this story thread and fill in some of the gaps to the whole Tasha Yar/Sela story. We know that Yar was captured by the Romulans, became a concubine, had Sela, and supposedly die, but I guess STO’s writers wasn’t happy with this thin story.

Instead, while investigating temporal anomalies around a Romulan prison planet (which is drawing Tholians like flies), we find out that Yar and company were plopped down here and left to rot after the Romulans abandoned the prison (and the guards!) after a time. Sela, Yar’s daughter, joins the away team to investigate the aftermath of all of this.

And Daniels is here, too. I kind of get the feeling that the actor who played Daniels was so delighted to get an expanded role in Star Trek Online that he never left the studio. He seems to be in an awful lot of episodes, kind of like Cryptic kept making time travel ones just to work him in.

I’ve always thought that there is irony in the fact that while Denise Crosby (who played Yar/Sela) left the first season of TNG, she seemed to spend the rest of her acting career trying to get back to it. She got to come back for Yesterday’s Enterprise and the Sela episodes, and Star Trek Online certainly is making the most out of her appearances. At least Sela in this particular mission isn’t that unbearable. She’s here against her will, but you can sense a curiosity when she starts uncovering the details of her mother’s lengthy stay on the planet.

The mission, for the most part, bounces back and forth between reading datapads of Yar’s life as the situation on the planet became more and more desperate and the danger of pocket temporal anomalies that were a major cause of death for the survivors. Some really well-done cutscenes on this mission.

Oh, and there’s some crazy Vulcan admiral from the parallel universe who’s making the anomalies or something. I was far less interested in her story. Darned space elves.

You kind of feel really bad for Yar and Richards for how all of this went down. Can’t think of anything less heroic than wasting away and eventually dying off, forgotten, on a jungle prison world.

I really thought that the mission was going to have Yar pop out of the shadows and officially rejoin the timeline, but no… it’s time to press “F” to show respect. Yar, you died too many times, and yet you were scrappy and wanted back in the limelight. I respect that.

The mission ends with a tantalizing cutscene showing Sela, in an “undisclosed location,” talking to an unnamed, unseen character (presumably Data) about her mother. Aww. Getting sentimental, are we?

Star Trek Online: The search for better music

Last week when I was griping about a few of Star Trek Online’s worst features, my sour opinion on the game’s music seemed to hit a chord with at least a few readers. I know my Battle Bards co-host Steff disagrees with me — she seems to like this OST, although I suspect it’s mostly for a couple signature tracks — but honestly I’m surprised how irritating and non-Star Trek most of these pieces are.

While I hate to turn off the soundtrack in an MMO, preferring to let the game present itself to me in its fully intended glory, I haven’t been able to listen to STO’s music for years now. Any time I come back, the music is always deactivated, and I provide my own score for the stars.

What I’ve been doing as of late is substituting the music from the Star Trek series and movies, and I have to say that it works remarkably well. In particular, Ron Jones’ TNG soundtracks transform this game with their very unique and memorable qualities. Berman reportedly disliked how much attention Jones’ music was getting, and Jones was let go after TNG season 4. That’s a shame, because most of the rest of the music from that show was pretty generic and forgettable. His stuff? Still well worth listening to today, even if it is totally synth 80s, through and through.

I took this approach with Star Wars: The Old Republic, too. SWTOR’s soundtrack isn’t bad (and I quite like the newer stuff, to tell the truth), but when it got a little dour, repetitive, or lengthy, I would switch over to a playlist that used the movie music as a perfect substitute.

Star Trek simply deserves great music. The franchise has seen some masterpieces (Star Trek’s I, II, III, VI, Ron Jones’ work, the theme songs), but it’s not as consistently great as it should be. Likewise, the game needs killer audio to go with its gorgeous visuals. I’ve put three screenshots from recent adventures in this post, and you can tell that this game is not lacking in those cinematic vistas. Bad music or no music at all detracts from it, while stirring symphonies transform these adventures into unforgettable experiences.

It’s probably just a pipe dream to hope that Cryptic will bring on board a composer(s) who would do this game justice at this point. Kevin Manthei has his strengths, but he is not suited for MMORPG composition at all. Maybe one day, STO will sound as good as it looks. Until then, my substitutions will have to suffice.

6 things Star Trek Online does poorly

Now that I’m back in Star Trek Online and spending a lot of time going back through the storylines and building up a new ship, I’m convinced all over again that this MMORPG has really become a gem in the industry. I know it gets some flak for its lockboxes and cash shop, but honestly it doesn’t bother me that much or seem that prohibitive. There are so many great aspects of the game, yet I cannot help but see six areas that definitely need improvement.

Let’s gripe!

1. Cutscene glitches and lip syncing

Star Trek Online gets a lot of points in my book for going to great lengths to secure the actual actors from the show and for doing a whole lot of voice acting (in fact, I would say that STO has the most voice acting by the original cast of any IP-related MMO ever made, unless I’m forgetting a glaring oversight). Yet it often squanders that with abysmal lip syncing and visual glitches during cutscenes.

The mission briefing screens are fine, but any time the game decides to throw in a cutscene… boy. It’s usually pretty bad. Lots of overacting in the emote department and no link at all between the vocals being said and the way the characters are moving their mouths. My favorite glitch — and I’ve seen this many times — is when the game shows my character standing on top of the command chair with her head out of frame. They really need to throw some people at this.

2. A lack of true exploration

Star Trek is well-known and -liked for its focus on exploring the unknown… yet Star Trek Online has pretty much never had this. Its old exploration system was a laugh, and eventually Cryptic yanked it and replace it with a big “under construction — check back later.” It’s been years now and we still haven’t been able to really go exploring as ship captains. That’s a shame.

3. Explaining the stats

I’m willing to look stupid here by admitting that I have very little idea what all of the stats do in this game. Star Trek Online is one of those titles that has way, way, way too many stats (for both space AND ground), and once you get up in the levels, they stop being self-explanatory. What should I focus on? How do I build my ship? Eh, I’ll just trust that purples are “good” and hope for the best. It’s not like this game is ever going to explain it all to me.

4. The music

This is a Cryptic problem more than a Star Trek Online one, but man… the music in this game has never been that good. Oh, the main theme is dynamite and there are a handful of decent tracks, but for the most part it’s those blaringly awful Cryptic tunes that made me switch over to real Star Trek movie and TV themes while I’m playing.

5. Tight ground combat

I’m not one of those people who hates ground combat. I actually really do like controlling parties of fighters and seeing them all do their stuff. It’s also good to get out of the ship and see my avatar once in a while. Nice change of pace, that.

But my problem with ground combat is that it always feels loose and slippery. There’s too much rubberbanding and delay between what you see on screen and then actual effects happening. It all needs to be tightened up to be a lot more fluid and reactive, especially considering that all of this takes place inside instances.

6. Give you stuff to do inside your ship

Watch pretty much any Star Trek show, and a vast majority of each episode takes place on board the ships. Yet in the game so little of it ever does send you to the interior of your ship. I was thinking about this, doing the tutorial a few weeks back. That was pretty great because it did have a lot more interiors — and your bridge officers even talked. But now all the action takes place outside your ship, and I wish that wasn’t the case.

Also, we need a LOT more housing options on board ships. I’d love to be able to customize my interiors! But I guess I’m out of numbers.